1,039 Royalty-Free Audio Tracks for "Diminished Seventh Chords"

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Ninth chord on C: CEGBD.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Seventh sharp nine chord on C. Created using Sibelius.

Thirteenth Polychord - Separate chords within an extended chord.

Example of an altered chord progression in jazz.

Ab-over-A slash chord.

Hendrix chord.

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Created by Hyacinth (talk) using Sibelius.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Ninth vs added-ninth chord.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Violoncello chord on D.

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

*Pythagorean diminished sixth on C = A--- (Ben Johnston's notation). 262144:177147 = 678.49 cents. Limit: 3-limit.

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*Tridecimal neutral seventh on C = B♭-. Just: 13:7 = 1071.70 cents. Limit: 13-limit. MIDI pitch bend: 120,86

*Supermajor seventh on C = B/C. Equal-tempered: 223/24:1 = 1150 cents. MIDI pitch bend: 0,80 Preceded by: